Filologiya va adabiyotshunoslik

METAPHORICAL REPRESENTATION OF VINCENT VAN GOGH’S ARTISTIC IDENTITY IN IRVING STONE’S LUST FOR LIFE

Jild 4 son 68 (2026) 12-14

2026-09-05 Filologiya va adabiyotshunoslik CC BY 4.0 Open Access

Mualliflar

  • Makhfirat U. Hikmatova Chief Specialist, Master’s Degree Holder Bukhara State Medical Institute named after Abu Ali ibn Sino,Bukhara, Uzbekistan

Annotatsiya

This thesis examines the metaphorical construction of Vincent van Gogh’s artistic identity in Irving Stone’s biographical novel Lust for Life. Drawing on Conceptual Metaphor Theory, the study focuses on recurring metaphorical models through which artistic creation is represented as mechanical activity, vital force, physical expenditure, transformation, and purposeful striving. The analysis demonstrates that Stone does not portray Van Gogh merely as a painter engaged in professional activity. Instead, artistic creation is constructed as the central force of his existence and as the principal means through which his identity is articulated. The selected textual examples reveal that the artist and his art are metaphorically interconnected. For example, paintings become extensions of bodily vitality, while creative time becomes a measure of life itself.

Kalit soʻzlar:

Iqtiboslar

Lakoff, G., & Johnson, M. (1980). Metaphors we live by. University of Chicago Press.

Lakoff, G., & Turner, M. (1989). More than cool reason: A field guide to poetic metaphor. University of Chicago Press.

Stone, I. (1934). Lust for life. Stone, I. (1934). Lust for life. Viking Press.

Steen, G. J. (2011). The contemporary theory of metaphor - Now new and improved! Review of Cognitive Linguistics, 9(1), 26–64.

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    2026-09-05

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    Hikmatova, M. (2026). METAPHORICAL REPRESENTATION OF VINCENT VAN GOGH’S ARTISTIC IDENTITY IN IRVING STONE’S LUST FOR LIFE. Yosh Olimlar, 4(68), 12-14. https://www.in-academy.uz/index.php/YO/article/view/56905
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