CHARACTERISTICS OF SHAKESPEARE COMEDIES
Annotatsiya
In this article discusses the concept of comedy in Shakespeare's plays, highlights the multifaceted nature of love and the complexity of human relationships in the "Twelfth Night".
Kalit soʻzlar:
Iqtiboslar
Abrams, M. H. (1981). A Glossary of Literary Terms. 4th edn. New York: Holt, Rinehart, and Winston.
Agnew, Jean-Christophe, Worlds Apart: The Market and the Theatre in Anglo- American Thought, 1550–1750 (Cambridge: Cambridge University Press, 1986)
Allen, Don Cameron, ‘The Rehabilitation of Epicurus and His Theory of Pleasure in the Early Renaissance’, Studies in Philology, 41:1 (1944), 1–15
Allen, E. Sprague, ‘Chesterfield’s Objection to Laughter’, Modern Language Notes, 38 (1923), 279–87
Altman, Joel B., The Tudor Play of Mind: Rhetorical Inquiry and the Development of Elizabethan Drama (Berkeley: University of California Press, 1970)
Anselment, Raymond A., ‘Betwixt Jest and Earnest’: Marprelate, Milton, Marvell, Swift and The Decorum of Religious Ridicule (Toronto: University of Toronto Press, 1979)
Apte, Mahadev L., Humor and Laughter: An Anthropological Approach (Ithaca: Cornell University Press, 1985)
Aristotle, The Nicomachean Ethics, trans. H. Rackham, The Loeb Classical Library (Cambridge, Mass.: Harvard University Press, 1994)
Bamber, Linda. Comic Women, Tragic Men: a Study of Gender and Genre in Shakespeare. Stanford: Stanford University Press, 1982.
Barber, C. L. Shakespeare’s Festive Comedy. Princeton.
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