THE PLACE OF EMOTIONAL-EXPRESSIVENESS IN THE DRAMATIC WORKS OF MAKSUD SHAYKHZODA

Abstract

This article analyzes the artistic and ideological place of emotional-expressive means in the dramatic works of one of the great figures of Uzbek literature, Maqsud Shaykhzoda. In particular, based on the dramas "Mirzo Ulug'bek" and "Jaloliddin Manguberdi", the role of language means in expressing the emotional experiences of characters, dramatic power, spiritual tragedy and national ideas is revealed. The work illuminates historical truth and spiritual values ​​through expressive expressions, metaphors, rhetorical questions and dramatic speech styles.