ARTISTIC INTERPRETATION OF THE FLOWER SYMBOL IN OGAHIY’S POETRY
DOI:
https://doi.org/10.5281/zenodo.20507541Аннотация
One of the most prolific poets in the history of Uzbek classical literature is Muhammadrizo Ogahiy, who left a rich legacy, standing out from other creators with his vibrant, lively, and meaningful poetry. Ogahiy is a lyric poet, a talented translator, and a historian. By observing the poet's lyrical artistic skill, we can clearly see how masterful a poet he is and how sensitively he portrays human inner experiences.Библиографические ссылки
Ogahiy, Muhammad Rizo Mirāb Erniyozbek o‘g‘li. Asarlar. 6 jildlik. 1-jild. Devon [Works. In 6 volumes. Vol. 1. Divan]. – Tashkent: Adabiyot va san’at, 1971. – 392 p.
Ogahiy, Muhammad Rizo. Asarlar. 6 jildlik. 2-jild. Devon [Works. In 6 volumes. Vol. 2. Divan]. – Tashkent: Adabiyot va san’at, 1972. – 421 p.
Ogahiy, Muhammadrizo. Ta’viz ul-oshiqin [The Talisman of Lovers]. – Tashkent: Fan, 1960. – 646 p.
Nosirov, O., Jamolov, S., Ziyoviddinov, M. O‘zbek klassik she’riyati janrlari [Genres of Uzbek Classical Poetry]. – Tashkent: O‘qituvchi, 1976. – 184 p.
Orzibekov, R. O‘zbek lirik poeziyasida g‘azal va musammat [Ghazal and Musammat in Uzbek Lyric Poetry]. – Tashkent: Fan, 1976. – 168 p.
Husayniy, Atoulloh. Badoyi’ us-sanoyi’ [The Wonders of Arts]. Translated from Persian by A. Rustamov. – Tashkent: Adabiyot va san’at, 1981. – 132 p.
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